AudioRealism Bass Line 3 (ABL3) is the next generation of our critically acclaimed 303 emulation plug-in. ABL3 is a complete redesign from scratch and has been in development for several years with the goal of creating the most authentic emulation possible. With an intuitive and streamlined workflow we hope ABL3 will set a new benchmark in software 303 emulation.

ReDominator is an emulation of the classic Alpha Juno 1/2 (JU-1/2), a polyphonic DCO (digitally controlled oscillator) based synth from 1986. The JU-1/2 became popular in the early 90's techno and rave scene particularly by the classic Hoover sound (which ReDominator attempts to emulate accurately). But beyond those niche sounds there lays a versatile synthesizer that does bass, pads, leads, organs and a lot of other sounds waiting to be discovered!

Forty years later, a complete revival. The legendary analog synthesizer that transformed its age.
The ARP Odyssey was an analog synthesizer originally produced in 1972 by the American manufacturer ARP Instruments, Inc. that quickly garnered a faithful following among musicians. Well respected for its high value, ease to play and portability, the ARP Odyssey had undergone several improvements during its history and continued to be a long-seller until manufacturing stopped in 1981 due to economic hardships and the digital surge. Loved by a wide range of musicians as a historical classic, its sound can be heard on numerous classic songs.
Now in 2015, KORG has brought back the ARP Odyssey for today. With the advisory assistance of David Friend, the co-founder of ARP Instruments, KORG has completely reproduced the original circuitry for artists looking to recreate classic sounds and explore new ones. Together the engineers at KORG and Arp were able to nail the sound and feel of the original. Every detail has been carefully considered to stay true to the quality of the original, down to the sophisticated semi-hard case.

The first workstation synthesizer, released in 1988, which defined the sound of the late ’80s and early ’90s: M1.
Along with its innovative "workstation" concept, the M1's "AI" (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg's voicing technology. Numerous sounds available only from the M1, most notable the famous “M1 Piano” sound, were taken up by musicians and producers around the world, and are still in use today.

MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors.

The Origin of the KORG Synthesizers is Revived in Software: miniKORG 700S
At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company’s first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.

The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities as well as their price, these two instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics.

The analog monophonic synthesizer with the potential for patching that went on sale in 1978: the MS-20. The entirety of the MS-20 is reproduced with its two oscillators (which can be ring-modulated), high-pass/low-pass self-oscillating filters with unique distortion, and a patch section with an external signal processor that can accommodate external audio input.
For the software, 32 voices of polyphony and up to 16-voice unison (with detune/spread function) were added. Flexible external modulation settings and MIDI clock synchronization have also been introduced, allowing for sound production with a high level of flexibility and freedom.

The Revival of the 90’s Physical Modeling Sound. A Reproduction of the Prophecy in Software
In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s.
It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today’s music production.

The last masterpiece of the 20th Century, revived after 20 years.
A perfect reproduction of the TRITON workstation in software.
The KORG TRITON series of synthesizer workstations was first released in 1999 to accolades and prestigious awards. Top musicians around the world loved the expressive PCM sound and used their TRITONs on countless songs.