Windows x64 | File size: 591 MB

SOUND FORGE Audio Studio provides comprehensive tools and features for editing audio digitally. Record podcasts in professional quality, edit your recordings with a full range of professional effects. Digitize old vinyl and modify audio files using restoration and mastering tools for clean, professional sound. Simple workflows for professional results: Experience SOUND FORGE Audio Studio.

Windows x64 | File size: 812 MB

SOUND FORGE Audio Studio provides comprehensive tools and features for editing audio digitally. Record podcasts in professional quality, edit your recordings with a full range of professional effects. Digitize old vinyl and modify audio files using restoration and mastering tools for clean, professional sound. Simple workflows for professional results: Experience SOUND FORGE Audio Studio.

Windows x64 | File size: 807 MB

SOUND FORGE Pro - The Standard for Recording, Audio Editing and Mastering. Your favorite engineer's favorite tool SOUND FORGE Pro has been the creative audio editing tool of choice for over 30 years. Its extensive range of professional features make it the go-to for many producers and sound engineers worldwide. The new workflow improvements let you effortlessly record, edit, restore and master.

x64 | File size: 923 MB

SOUND FORGE Pro Suite - The Standard for Recording, Audio Editing and Mastering. Your favorite engineer's favorite tool SOUND FORGE Pro has been the creative audio editing tool of choice for over 30 years. Its extensive range of professional features make it the go-to for many producers and sound engineers worldwide. The new workflow improvements let you effortlessly record, edit, restore and master.

Spectrasonics Keyscape 1.5.0c
File size: 83 MB

Spectrasonics Omnisphere v2.8.5f
MORiA | March, 28 2023 | 212 MB

MOCHA | VST2/VST3/SAL | 78.6 MB

GSi Mini Orchestra is a sample-playback synthesizer based on a selection of high quality stereo samples with long loops, that helps reproducing the sound of a symphonic orchestra easily and quickly. It offers 9 sections including: bass brasses (tubas, trombones), cellos and contrabass, french horns, woodwinds (flutes, oboe, fagotto), treble brasses (trumpets and trombones), treble strings (violins, violas), choirs, glockenspiel and percussions (timpani and cymbals). Each section can be programmed independently to have a given response to velocity, expression pedal, aftertouch, and velocity zone. The "aftertouch lag" parameter lets you adjust the response to the aftertouch messages in order to obtain smooth dynamic transitions.

MOCHA | VST2/VST3/SAL | 78.6 MB

GSi Solo Trumpet is a physical modeling emulation of a trumpet. This is a chapter GSi started a long time ago with one of the first plugins released to the public, then it evolved in a renovated emulation featured in the GSi Gemini, and now is here again with a new plugin.

MOCHA | VST2/VST3/SAL | 78.6 MB

INSTRUMENT BACKGROUND
Bands like the Doors, the Animals, the Monkees made the Vox Continental one of the most famous electronic organs of the 60's. This particular model was made in the UK and also in Italy and was rather simple in both electronics and features. Like many other electronic organs of the same age, the sound generator is based on the so-called "Top Octave Synthesizer", TOS for short, responsible of the generation of 12 waveforms, one for each note of the last octave of the organ keyboard. The basic waveform in this case is a low-pass filtered square wave. The lower octaves are produced by means of "divider" circuits that halve the frequency of each waveform, going so forth for each lower octave down to the pedalboard tones. This organ offers only two different registers: Sine and Master, with 4 different foot lengths.

MOCHA | VST2/VST3/SAL | 6.5 MB

INSTRUMENT BACKGROUND
Among the many transistor organs of the past, also known as "Combo Organs" (mostly because some of them also had a rhythm section and built-in speakers), the Farfisa Compact DeLuxe, along with its big brother the Compact Duo, was one of the most used organs at least in the european beat scene of the early and mid seventies. The electronic circuit of this kind of organ is relatively simple, at least on paper: rather than using a mechanical tone generator like the tonewheel models (Hammond and Pari), the transistor organs used a circuit called "Top Octave Synthesizer", TOS for short, responsible of the generation of 12 waveforms, one for each note of the last octave of the organ keyboard. The basic waveform was usually something halfway between a ramp and a triangular. The lower octaves were produced by means of "divider" circuits that could halve the frequency of each waveform, going so forth for each lower octave down to the pedalboard tones. At each division, something was lost and something was gained in terms of harmonic content. The result was that the same notes of different octaves had oscillators perfectly in sync, so all C notes were in sync, all C#, all D and so on. This same technique was also used in so-called "string machines" or "stringer keyboards" that emulated orchestral sounds (violins, trumpets, etc.) - see GSi's Electrorchestra.