Lindell Audio, since its founding in 2010, has quickly gained a reputation for producing high quality analog gear. Record producer Tobias Lindell - resident producer at Bohus Sound Studios - set out to design recording equipment to satisfy his own way of working. Developing functions and user interfaces that he couldn’t find on the market. Now, with the introduction of Lindell’s plugin product line, that same authentic attention to audio quality and efficient workflow can be found inside your DAW.

This plugin is calibrated for the SCHOEPS Double M/S Microphone, but it will also work with any other Double M/S Mic Setup. It will provide optimal results only on tracks that have been recorded with a 3-microphone (Double M/S) setup. The SCHOEPS "Double MS Tool" plugin decodes the three signals of the Double MS system. It creates a 5.0 Surround signal on the basis of three microphone signals. The plugin enables customized, intuitive decoding on a realtime WYSIWYG basis. With the plugin the spatial and timbral fidelity of the resulting 5.0 Surround signal can be optimally achieved.

The SCHOEPS Mono Upmix can generate Stereo and even LCR channels from any mono signal and works great on voices in Post Production, synth in music production, as well as bass, guitars, drum room mics, vocals, etc.
It adaptively extracts the diffuse sound in the mono input signal to create an upmix signal. As the diffuse sound should always be reproduced decorrelated on different stereo channels, the up-mixed signal sounds more natural than the original mono track. The Mono Upmix is often superior to a reverb as it doesn’t add reverb but uses the present diffuse sound. Furthermore, it’s possible to control the perceived source distance and panning position by generating early reflections. The Mono Upmix plugin performs great with mono location sound dialogue as well as spot microphones in a music recording.

LDC2 is an analog modelled optical compressor and expander with exchangeable optical circuits, solid-state preamplifier and output stage, giving you a unique compression character. LDC2 provides smooth and warm dynamics processing for tracking, mixing, mastering and live performances.

The Metric AB plugin enables you to compare your mix to any reference mix with a simple click of the A/B button. It is designed to provide you with a clear, intuitive workflow and unique analysis tools. Welcome to the new standard in mix referencing. Just put it on your master channel and switch between your actual mix and CD or iTunes mixes by your favorite engineers and bands, other versions of your mix, etc.

Thorn was made to provide you with a great tool for modern electronic music production. The main goal was to develop a top notch software synthesizer, which knows everything about creation process of punchy, snappy and aggressive modern sounds. Simplicity, flexibility and effectiveness are the key principles of Thorn. Just take a short tour through the carefully crafted sound library provided by Thorn (600+ presets!). We hope it contains lots of sounds you might want to put in your mix right away.

The sound engine in Thorn is built on Spectral Synthesis method, which gives you control over the harmonics involved into a forming process of a final timbre. Three Harmonic Oscillators with an additional Harmonic Filter cover all the needs for producing of a very wide range of modern sounds.

Dear Reality’s state-of-the-art algorithms have been a mainstay of 3D audio production for years. Now, for the first time, their spatial processing treasure chest has been made available in an all-in-one plugin for your DAW: dearVR pro. Say goodbye to expensive middleware, unwieldy software bundles and complex routing schemes. All the tools you need to create stunning, immersive 3D audio for virtual reality (VR) and augmented reality (AR) video, films and games are included in dearVR pro’s powerful yet fast and intuitive interface.

Two modes of operation let you choose how to work. Simply drag your mouse around using the plugin’s graphical XYZ pad to position a track’s sound anywhere in a 3D soundstage-behind or in front of the listener, above or below their head, to the left or right, closer or farther away. Or use separate sliders for adjusting the sound’s elevation, azimuth and distance from the listener. dearVR pro provides 46 vivid virtual acoustic environments, featuring true to life 3D imaging and depth, in which to place an object’s sound and move it around in real time. Among the many selections to choose from are concert halls, car interiors, variously sized rooms, and a church, cellar, staircase, bathroom, booth, warehouse, arena, outdoor street and live stage. Each environment is instantly and independently recallable per plugin instance, letting you place each object’s sound in a different space.

Most people probably listen to your mixes on earbuds and headphones. It’s the perfect setup for blowing their minds with music in 3D - if only a plugin could do that. 
Well, prepare to enter the third dimension! dearVR music breaks the shackles of stereo and planar surround sound to turn your DAW into a 3D virtual reality powerhouse. No advanced engineering chops are needed. Load dearVR music onto a track in your mix and choose one of 18 pristine virtual acoustic presets. Then simply drag your mouse around in the plugin’s intuitive interface to position the track virtually behind or in front of the listener, above or below their head, to the left or right, closer or farther away - at any angle and distance in a 3D soundstage - for mind-blowing playback using conventional stereo headphones.

Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit.