Eddie Brock struggles to adjust to his new life as the host of the alien symbiote Venom, which grants him super-human abilities in order to be a lethal vigilante. Brock attempts to reignite his career by interviewing serial killer Cletus Kasady, who becomes the host of the symbiote Carnage and escapes prison after a failed execution.

Told in three viewpoints: husband’s, rapist, wife’s is very informing. Lots of medieval fighting and court machinations. Jodie Comer, Matt Damon, and Adam Driver are well-cast as three leads. Over two hours long but won’t feel it. Stay for update at end.

In present day, many years after the last of the Cabrini towers were torn down, Anthony and his partner move into a loft in the now gentrified Cabrini. A chance encounter with an old-timer exposes Anthony to the true story behind Candyman. Anxious to use these macabre details in his studio as fresh grist for paintings, he unknowingly opens a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence.

When an Interpol-issued Red Notice the highest level warrant to hunt and capture the world’s most wanted goes out, the FBI’s top profiler John Hartley (Dwayne Johnson) is on the case. His global pursuit finds him smack dab in the middle of a daring heist where he’s forced to partner with the world’s greatest art thief Nolan Booth (Ryan Reynolds) in order to catch the world’s most wanted art thief, “The Bishop” (Gal Gadot). The high-flying adventure that ensues takes the trio around the world, across the dance floor, trapped in a secluded prison, into the jungle and, worst of all for them, constantly into each other’s company.

Utah (Jack Kilmer) and Opal (Alice Englert) are junkies living on the streets of rural Ohio until a seemingly chance encounter with the enigmatic Wood (Michael Kenneth Williams) brings them to Los Angeles for drug treatment. Utah appears to find sobriety with the help of treatment center shrink, Dr. White (Melissa Leo), and tech turned love interest, May (Jessica Rothe). They soon learn that drug treatment is but a cover for a predatory business, enlisting addicts to recruit other addicts. Utah is no exception. Wood and his drug treatment mogul partner, Vin (Frank Grillo), take Utah under their wing, introducing him to the good life, though Utah's addiction remains his biggest obstacle.

Twenty-seven long years after the brutal Simion Research Hospital incident, abused Madison wakes up in a hospital in present-day Seattle. But with numbing visions of murder getting in the way of a normal life, more and more, Madison's obscure past emerges, baffling both herself and the local detectives. Are these explicitly violent killings figments of Madison's troubled imagination? Either way, someone, or better yet, something, links the past to the present, demanding closure and blood. Is the bogeyman real?