Lush surround reverbs with advanced control. Our lush, colorful reverb engine gets a multichannel upgrade in Symphony. Offering support for up to 7.1 surround, Symphony delivers a rich, character-filled reverb tone for any music or post production project. With channel-specific Balance controls and an expanded Warp section with Compression and Overdrive modules, Symphony takes the creative power of R2 Surround and R4 and pushes it even further.

Stratus 3D. Natural reverbs for surround and immersive formats. Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, use Stratus 3D to get just the right amount of depth and dimension in any post production job.

Create natural surround environments for your mixes with unrivaled reverb clarity using Stratus. With up to 7.1 surround support, over 1,700 presets, and familiar, intelligent controls over every channel, get just the right amount of depth and dimension in any post production job.
Depth and clarity for complex channel configurations

Every generation of engineers and producers has iconic pieces of studio equipment; they act like markers along the path of recording history. Many top engineers will talk about reverbs in the same way, they will speak of the first time they heard some of the classic hardware reverb units which have created a dynasty over the past few decades. Some of these units have Michael Carnes' fingerprints on them, and his new creation R4 is the next reverb in this royal lineage. R4 offers all the class of historic hardware reverb units but with many new features only possible with modern plug-in development technology. R4 is pure class and for this reason, is destined to become a classic.

R2 Surround brings something special to the table that you won't find anywhere else. Supporting formats from mono all the way through 7.1, this reverb can be used anywhere you need a little flavor (or a lot). Easy to use, with over 800 presets, this is a reverb that's made for a busy workflow.

Inspired by classic reverb sounds from the '80s and '90s, the iZotope Exponential Audio: R2 stereo reverb plug-in delivers rich reverb tails full of movement. In addition to its wide range of room and plate reverbs, a built-in chorusing effect allows you to add massive stereo width to your tracks. You'll even find auto-ducking onboard, perfect for dialogue mixers or keeping the reverb from competing with other tracks. Complete with a wide range of application-specific presets, Sweetwater can confirm the iZotope Exponential Audio: R2 stereo reverb plug-in is equally adept in music production, sound design, and post-production applications.

The PhoenixVerb reverb plug-in has been designed with audio purity in mind. The tail has none of the pitch effects or periodic artifacts that are part of other reverbs. Its effect with small room settings can be almost invisible, subtly placing the source material into a natural space without screaming "reverb".

NIMBUS elevates the signature Exponential Audio reverb engine with surgical controls and timbral effects. Authentic, classic tone meets advanced filter mechanics, compression, overdrive, tempo-syncing, and warp effects, so you’re sure to have the perfect reverb for your music.

Excalibur is a stereo multi-effects plug-in unlike any other. With several modulation, pitch-shifting, and dynamics effect modules, Excalibur has the creative tools to tackle any music production, post production, or sound design project. Four independent voice oscillators can subtly change the timbre of your recordings or drastically transform any audio source with swirling kinetic effects.

GlissEQ is a parametric equalizer AAX, AudioUnit and VST plugin for professional sound and music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz.

But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don't necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.