MasterCheck is the complete solution for optimising your mixes for today’s music delivery services. Streaming apps, download stores, websites and podcasts all use data compression, loudness matching or both. These processes can affect your mixes in various undesirable ways: your loud punchy mix could end up quiet and flat, or suffer clipping or distortion.

The good news is you don’t just have to mix for CD and hope for the best. MasterCheck reveals problems ahead of time, and enables you to deliver masters perfectly tuned for specific playout systems.

MasterCheck instantly de-mystifies loudness normalised playout systems, demonstrating the effects of compression so you can find the sweet spot between perceived loudness and dynamics. Now you can quickly find the point beyond which these systems kick into effect, putting you back in control. MasterCheck provides the tools to make sure your mix reaches the listener as intended.

LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes.

Either within your NLE/DAW or as a standalone application, LM-Correct delivers automated compliance with True Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit.

LM-Correct's interface is designed to facilitate intuitive operation. Whether the plug-in or the standalone application is in use, the process for using LM-Correct is conceptually the same.

ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of True Peak compliance for you.

ISL uses the standardised True Peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘afclip’ True Peak detection), and is suitable for the control of audio for post production, music mastering and broadcast applications. True Peak limiting can also be used to ensure that downstream codecs (mp3, AAC etc.) do not introduce distortion into the signal.